DESIGNTIDE TOKYO

Heavy/Lightweight Living

With ‘Heavy/Lightweight Living’, designer Charlie Humble-Thomas has used weight as a primary driver for designing and making objects. This might be through how weight is experienced, created or even perceived in the end result. Prioritising weight in the design process is not unusual, but is often reserved for higher performance categories such as bicycle components or in portable items such as a pack away waterproof jacket. But what about in homewares? It is a conversation that conjures uncomfortable truths where our emotional connection to materials are often at odds with environmental issues.

On a simple level, heavy objects cost more to ship, may be a superfluous use of material and are often more carbon intensive. However, weight can also communicate quality, practicality or luxury. Lightweight items offer their own conundrums. They may provide practical, efficient or even delightful experiences. They also may be prone to damage, or even feel throwaway to us. With an exploding global population, even modest savings on weight in mass production can have a monumental reduction in impact. Extreme cases can be eye opening; for example when we compare a solid marble table and one that is flat packed MDF. Here, weight, carbon impact and longevity are foregrounded. But looking deeper, we can ask what emotional responses they evoke in each of us, or ask what feels proportional for the use case. In ‘Heavy/Lightweight Living’, Charlie Humble-Thomas explores different ways to leverage weight; for example allowing movement or playing volume, scale or construction. Expect to see materials manipulated to create heavy and lightweight objects through stretching, forming, casting, spinning amongst other processes. Visitors are then invited to consider what feels appropriate for homeware items that we live alongside in our everyday life.

Charlie Humble-Thomas

Charlie Humble-Thomas designs industrial objects that balance familiarity with surprise. The items he makes draw on our sense of nostalgia and our desire for playful functionality. His work is often centred around manufacturing. Whether traditional or modern, one obsession is in fine tuning processes to make objects of a timeless quality where possible. An ongoing enquiry within his work is around the longevity of items and how this informs choices around materials and construction. Working for some of London’s leading consultancies including Map Project Office & Barber Osgerby, he now consults part time for the London based technology brand Nothing. Recent works include the Parasol Lamp for Atelier 100, the Boro’ Lighting Family designed for ARAM store’s 60th Anniversary showcase. In 2023 he co-founded the design research collective, Computer Room, who have collaborated with the British Council. His workshop office is in Hoxton.

https://www.charlieht.xyz
EXHIBITION / AWARD
  • 2024: PARASOL TABLE LAMP / DEZEEN AWARDS LIGHTING DESIGN LONGLIST, London, UK.
  • 2023: PARASOL TABLE LAMP / COLLATE FORM TOP 30 DESIGNS, London, UK.
  • 2023: PARASOL TABLE LAMP / ATELIER100 PROGRAMME, London, UK.
  • 2021: LOST GRADUATES SHOW / BEST IN SHOW FINALIST, Milan, Italy.
  • 2021: ROBERT & LUCIENNE DAY AWARD / CONDITIONAL LONGEVITY, London, UK