DESIGNTIDE TOKYO

Foam Fiber Form

Looking back at the development of textiles since the 20th century, it is evident that while weaving techniques themselves have changed little, the quantity and quality of fiber materials have undergone dramatic transformations. In the modern era, technological advancements have led to a significant increase in the production of synthetic fibers, far surpassing that of natural fibers. With a wide range of materials available, there is a growing demand to create works and products that leverage the unique properties of each material. Understanding and appropriately utilizing these materials is crucial.

Against this backdrop, I considered whether it might be possible to introduce new characteristics to existing natural fibers, which are less suited to mass production, and innovate from the perspectives of updating and upcycling. The result is this series of works. In this series, I use cotton threads mixed with a special resin that expands when heated, employing multi-layer weaving techniques to transform flat fabric into three-dimensional objects. The combination of different textures and structures allows for a diverse range of tactile qualities and shapes. While utilizing primitive and traditional hand-weaving techniques, this original thread and the innovative process enable the creation of various forms. Through this work, I aim to express new possibilities in textiles that were previously unattainable with conventional fiber materials.

Yuki Hidano

Yuki was born in Saitama Prefecture in 1994. After graduating with a major in Textiles from the Department of Industrial, Interior, and Craft Design at Musashino Art University in 2017, she worked as an Assistant Professor at Musashino Art University in the same department until 2022. She applies a unique perspective based on the knowledge and understanding of materials she has gained through various experiments to her work. Primarily using hand-weaving techniques, she draws upon primitive and traditional methods of production while at the same time devising innovative ways of structuring and composing the weave. This results in diverse forms that exhibit freedom and originality achievable only through manual craftsmanship, thus setting them apart from the mass-produced textiles created by machines.

https://yukihidano.com
EXHIBITION / AWARD
  • 2024: FUTURE DAYS at MAGMA GALLERY / Tokyo, Japan
  • 2024: Window display for THE NORTH FACE Sphere / Spring Has Sprung, Tokyo, Japan
  • 2023: MIYOTA DESIGN WEEKEND / Nagano, Japan
  • 2023: 'Yuki Hidano' Solo exhibition at Blumo / Fukuoka, Japan
  • 2021: Dutch Design Week 2021 / HOW&WOW BASK IT!, Eindhoven, Netherlands